Showing posts with label Hiroshima. Show all posts
Showing posts with label Hiroshima. Show all posts

Thursday, August 21, 2014

A Real Happy Place: Namiki Café (Kure, Hiroshima Prefecture)

広島県呉市安浦町大字安登1084-160七浦海水浴場内:波輝カフェ 

(BGM: "Natsu No Omoide" by Ketsumeishi)

Approaching Namiki Café from the road...
Isn't it funny how the most inspiring places can come to you completely by chance? That's exactly how we found Namiki Café, and it went a little something like this:

(Rewind a few months...) One clear, crisp afternoon in May, my Hubby had the itching desire to explore some new coastline that we hadn't seen before, so we jumped into the car and headed towards southern Kure. The road was wide and smooth all the way up until Yasuura, where we took a turn towards the Kanda Dockyard and suddenly found ourselves on a frighteningly narrow single lane jungle road with blind corners at nearly every turn. We kept going straight not only to see where the road led, but because there was absolutely nowhere to turn around and head back. We were locked in! When it finally opened up into Shichiura Beach beyond Kawajiri we felt delivered, surprised to have made it through in one piece. (Yes, it was that harrowing. I never exaggerate). 

We drove on towards the shore, past old storage shacks and cabins, fruit trees and gardens; the only thing missing from this scene was a lemonade stand! Beyond a gate of living sculpted pine tree was a standard government-issue concrete structure similar to the kominkan community centers we always see in these small communities. But this building was unique; it was painted in the most vivid array of dreamy, psychadelic colors as if straight off the boardwalks of Santa Barbara, California. Where the heck were we?

Namiki Cafe in Kure, Hiroshima. (Stunning mermaid painted by Hiroshima artist Kodama Kozue).
Quirky signs and curious paintings covered just about every structure: the chicken coop, the outhouse, the café...(café?). Some of the art looked deliberate and some resembled graffiti. But all I could think was awesome! Did we stumble upon a private clubhouse? Was this an artists' commune like we have back in Alaska? I worried for a moment whether or not it was okay to be on their property (like a good American should), but Hubby found the mystique of the place pulling him in like the Death Star tractor beam. 


The funkiest, most glorious chicken coop I've seen in my life!
I told Hubby we should consider turning back, but he ignored my pleadings and parked the car anyways. We both treaded lightly on the crunchy gravel towards the café, passing drunken fellas staggering their way towards the outhouse. I let Hubby cautiously step first through the open front door and we were greeted (somewhat) by two nonchalant dogs, the mascots of Namiki Café.

"Nana." :-)

"Sakura." :-)
Once inside, we noticed people of all ages laughing and chilling in this casually pimped-out pad. The walls, shelves and tables were decorated appropriately with seashells, musical instruments, beach art and lots of books. A wide smile spread like sunrays across my husband's face and I instantly felt at home, reminded of my favorite artsy-fartsy, sea themed hangouts back in Homer, Alaska

Namiki Cafe's unpretentious, laid-back interior.
The colorful and inviting bar at Namiki Café.
The kind, accommodating staff encouraged us to sit wherever we wanted. Hubby spotted a railing-free open deck facing the sea. On it sat black metal garden tables with matching loveseats, which my man immediately claimed for us. Just five seconds after sitting down, I felt as if my whole life had reached its pinnacle. This was plenty for me. I didn't need a single thing more as all my tensions lifted off my skin, evaporating with my sweat into the hot summer air. This entrancing view, these happy people and well-behaved doggies contentedly shuffling to and fro -it was paradise! Again, the Hubby and I had inadvertently stumbled upon yet another earthly heaven while searching for something completely different. I started to feel overwhelmed by our excellent fortune.

If the tide comes in high enough, fish swim underneath the patio. Now that's waterfront dining! :-)
The corners of my mouth stretched upward in a grin as I sat there comfortably, watching other guests playing freely like little children, leaving all inhibition behind. In the distance, three brave young boys in black swimwear took turns leaping off a metal platform into the crystal aquamarine seawater, while giggling college students played volleyball on the beach. (I hadn't seen Japanese people this relaxed since the Earth Garden Aki Festival in Tokyo!) It was a redeeming sight to see!

Fun!

The chief cook, a gracious young lady with impeccable color sense and a glittering smile, served us cups of ice water along with chilled, fragrant shibori hand towels. Behind me bubbled a large aquarium filled with turbo snails, some beautiful pink and black wrasses and a pufferfish wearing a resentful expression. (Tank occupants change with the seasons). The lapping of waves upon the shore in time with Israel Kamakawiwo'ole's haunting vocals made certain that every one of my senses would become engaged. This was going to be a much-savored treat, indeed!

Pink and black striped wrasses curiously inspect my smartphone.
The whole place vibrated with a natural, playful energy I hadn't felt in a long, long time. Back inside the café, I couldn't ignore the shelf displaying several books by my favorite Japanese author and world-circling philanthropist Takahashi Ayumu, writer of Dear. Wild Child and Love & Free. It didn't take me long to feel some of his inspiration curling in the air around Namiki Café.

"Freedom" (c) 2014 Genkilee, Gen. All Rights Reserved.
But we couldn't sit here staring at the sea forever. This was, after all, a dining establishment! Time to order something, I guess.

This welcoming smile made us feel right at home! 
Fortunately for us, we didn't see the menu inconspicuously placed under the table. From the kitchen above us, a dashing sun-kissed gentleman (whom I actually mistook for an American ex-pat), kept flashing me his disarming smile as he scrubbed and prepped the grill. Making sure his voice reached us from over the wall, he asked us about our stories and shared with us a little history of the place. (He was a sheer delight to converse with!) The owner (Mr. Youjiro Tomie of Hiroshima, owner of BAR Swallowtail), who just happens to be his son, took over this beachside café seven years ago, breathing new life into it with hip art and creative touches.

The most badass basket in town! I swear if it ever stops raining this year, I'm doing this!
We asked about all they had here and he listed off some of the many fun activities and services available at Namiki Café. We were dazzled by the options: rental rowboats, swimming gear, BBQ kits, day-use private rooms with hammocks, all sorts of balls and pool toys available for use and of course, the dog park. Guests could even rent fishing gear, catch a fish and the staff would clean it and turn it into a full-blown meal! And for an unbelievably reasonable fee, it was even possible to stay the night in one of the rooms above the café, fresh egg breakfast included! The only thing they didn't offer was camping space. But further down the beach it was okay to pitch a daycamp tent, providing you picked up after yourself and kept an eye on the tides. This place really had everything! (And if it didn't, I had the feeling the staff would bend over backwards to make sure every request got filled, somehow).

Rowboat rentals available (the push out to sea by the owner is free!). 
I spotted more than a few concepts found in Takahashi Ayumu's writings in effect around here: an environment-friendly approach to business (recycling, re-using, incorporating community produce, etc), a fun atmosphere of play and joie de vivre, a deep-rooted love for humanity, and the feeling of freedom passed on to the customers. Patrons at Namiki Café could fully personalize their dining experience, making it completely their own through hands-on participation.

One love. 
A brief walk around the grounds of Namiki Café helped me to clearly see the effects of this harmonious philosophy in action. Honeybees buzzed peacefully on patio flowers. Goshawks and herons fished undisturbed in tidepools teeming with fish. Grandparents introducing curious children to tiny hermit crabs and other intertidal lifeforms crawling over the sands. Namiki Café had achieved a virtual garden of eden for all to share and enjoy for the mere price of a cup of coffee. And I could sense these joyous vibrations flowing through everyone and everything around here, pulling me in with it like a current. The sensation was exhilarating. 

Tiny life in the seagrass at low tide.
Blazing sunlight heated up the sand around us and all our talking had finally made me hungry! The entertaining, simply-drawn white and blue menu offered an interesting mix of egg dishes (made with fresh eggs from just across the lawn), noodles, an unusual collection of original pizzas, traditional Japanese entrées and other specialties I could forever delve into and never re-emerge.

(Fast-forward to the present moment). From that fateful day in May, I became a hopeless fan of Namiki Café. Over the course of the next few months, we tested various samplings from their menu. Everything we ordered was carefully prepared and arranged, with attention paid to pure, natural flavor. I found the food at Namiki Café a welcome change from the usual.

Rich, smooth creme brulée topped with a cherry from Yamagata! 

Gomen, Sakura. This is people food! :-)
Fresh cheesecake lovingly made with eggs from their own hens. A slice of HEAVEN! 

Scrumptious (!!!) thin crust pizza with fresh tomatoes, savory sausage chunks and herbs. Divine!
Rejuvinating sweet-and-sour perilla (shiso) juice drink, homemade, of course!

A refreshing array of pickles, part of the "taiken lunch."
We even treated ourselves one day to the "taiken lunch." The grillmeister prepared our season-specific fish and served it up alongside hot rice steamed in a traditional kama, some tsukemono pickles and soup. The taiken (体験 do-it-yourself) part of the lunch consists of picking your own egg from the chicken coop, shaving fragrant katsuobushi from a rock-hard filet of dried bonito fish and assembling your own rice bowl topped with raw egg, said fish flakes and a dash of soy sauce. For fans of Japanese food made in the traditional way, this is one experience not to be missed! The whole meal was a lot of fun and really inspiring (would be perfect as a brunch, too!).

The owner (Youjiro Tomie) showing us Hubby's fish: a shimmering pink sea bream.
Juicy, decadent turbo snail grilled tsuboyaki style over glowing hot coals.
And of course, what's a day at the beach without a barbecue? For just five-hundred yen, you can bring your own food and use Namiki Café's BBQ equipment. We celebrated a birthday with a Namiki BBQ spread, making sure to call in advance so they could have everything ready when we got there. For the reasonable price of a standard set lunch, they chose for us a well-balanced mix of fine meats, seafood and vegetables which we grilled right at our own table. Single servings of seafood in season (such as the spring turbo snail pictured above) were available if the meat ran out.

Seaside BBQ anyone? :-)
All of these options were more than satisfying, but we'd only scratched the surface! Namiki's summer outdoor food stand "Umi-no-Ie" (pronounced /ooh-mee-noh-ee-eh/), dishes up other items on the menu such as curry & rice, udon noodles, fish & chips and yakisoba -perfect for hungry kids weary from a fun day in the water. Namiki Café's bar also has a full line of coffees, alcoholic and non-alcoholic beverages. What more could anyone want?

Namiki Café's outdoor food stall Umi-no-Ie (海の家, Lit: "ocean house").
Obviously, the one thing I always want here is simply more time to enjoy. Minutes melt effortlessly into delicious, relaxing hours at Namiki Café. Helplessly fixated on the ever-changing sea and intrigued by the festival of flavors dancing in my mouth, it's tough for me to notice the time until the hungry cry of a kite soaring overhead snaps me out of my private reverie on cue. When the sun tucks itself in behind the mountains, it's time for the café to close up for the evening. It seemed like decades since I last felt relaxed enough to spend hours in a café without having some task to do like cramming for test. But this place was indeed magic! (It wasn't just me, either. Other patrons have told me they've also experienced the same time-slip effect at Namiki Café, spending up to five hours when they'd only planned on minutes! Thank goodness the staff are so patient).

Detail of wall art by Kodama Kozue.
Anyways, I think I've finally found my "happy place," and it's a place anyone can experience and return to again and again (providing everyone drives slowly down that harrowing jungle road). Once there, allow the feel of the place to really sink in, and you'll know what I mean. Peace.

Darling little ghost crab digs a home by the balcony steps at Namiki Café.




Namiki Café Information
Operating Hours: 10:30am to 6:30pm, year-round and even on rainy days! :-) (Closed on Fridays and certain holidays).
Parking Fee: (Depends on what services you use. Check with the staff).
Facilities: Café, bar, BBQ stalls, seasonal outdoor food stand (open 10:00am to 5:00pm, summer only) rental party rooms (check for availability), dog park, private beach (roped off for safety), volleyball nets, rental rowboats, life vests and other floatation devices, rental swimwear, rental fishing gear, basketball hoop, kiddy pools (summer only), upstairs B&B, BBQ equipment rentals, pay shower, Western-style toilet (in the café), Japanese-style toilets (by the parking lot), and much, much more!
Dog Park: Open from September to June. (Check with staff for rates).
Address: 737-2503 広島県呉市安浦町大字安登 1048-160 波輝カフェ
(In English: Namiki Café, 1048-160 Yasuura-cho, Oaza Ato, Kure-shi, Hiroshima-ken 737-2503)
Access By Car: It might be easiest to plug the above address into your car's navigation system or a navi app and just follow it. Their website also has comprehensive instructions with photos that clearly show (in Japanese) how to get there.
From Kure City: En route to Yasuura, head down Highway 185 past the Mt. Noro turnoff. You'll see a mint green WANTS drugstore on your left and a 7-11 on your right. Turn right at this intersection and you'll see a sign for the Kanda Dockyard. Follow this very narrow road along the coast through a tiny hamlet of Kawajiri, straight through into the woods up the hill. From here there will be cute little Namiki Café signs you can follow. (It's about a 10-minute drive from the 7-11 intersection to the café).
From Akitsu (Higashi-Hiroshima): Facing Kure, head down Highway 185 to the Yasuura Bypass East Entrance intersection (marked by a Family Mart on your left). Turn left onto the Bypass. Follow this highway up the hill for about fifteen minutes, past the Royal Hotel (on your left) until you see Resutoran Momo (レストラン桃), again on your left. It's the tiny U-turn immediately after that (on your left), marked by a blue sign for Mt. Noro. Follow this narrow, winding road down the cliff to the tiny hamlet of Kawajiri until you meet the seawall and turn left yet again. Follow this road straight through to the woods (the Namiki Café signs should be visible at this point). Keep going straight, passing two small beaches (one with a pink flamingo pedal boat). You'll eventually see Namiki Café on your right.
Access By Train & Taxi: Take the JR Kure Line from Hiro, Onomichi or Mihara to Yasuura Kawajiri Station (安浦川尻駅). From there, you can take a taxi to Namiki Café, but be sure to show the driver the above address in Japanese.
Telephone (Japanese Only): (0823)-87-5512 (Since they have lots of property to cover, the staff might not always be able to answer the phone).
Insider's Tips: When it gets really busy during summer weekends, the staff might ask that you carry your own empty tableware to the bar counter. Rented and borrowed items should be returned as well and not left on the beach. (It's only fair since they offer so much). Since omeletts take too many eggs to make, they're only available on weekdays. Also: If you order the BBQ, Nana and Sakura might give you wistful, begging stares for handouts. If you choose to feed them, they will proceed to gently nudge your thigh with their chins and paws until you donate more. (They won't bark or bite. They're very mellow). It's hillarious and endearing, but might make you feel guilty for eating your order. ;-)
For More Information: Check out Namiki Café's homepage or "Like" their Facebook page! Namiki Café holds various events and specials throughout the year, so it's worth checking frequently for updates.

Sakura and Nana hope to see you there!
Copyright 2014 Genkilee, Gen. All rights reserved. No part of this blog (written or photo content) may be reproduced or reprinted without the expressed permission of the author. 



Sunday, August 10, 2014

Shudders On Mt. Shirataki (Innoshima Island, Onomichi City, Hiroshima)

広島県尾道市因島重井町:白滝山 (Mt. Shirataki, Innoshima-Shigei, Onomichi City)

(BGM: "Face Yourself" by Michael Hedges)

Seto Inland Sea National Park: Mt. Shirataki.
Three (!) months have passed since my most recent brush with death. The trauma has since subsided enough for me to go ahead with this story that I was hoping to post in May, when I made the climb. Even now, I really don't feel like disturbing, or even locating, the tiny reservoirs of fear still pooled in parts of my body over Mt. Shirataki. But just as a wound should bleed a little before healing, I've gotta get this out of me so I can move on with my life. Besides, autumn is rapidly approaching in Japan, now, and I need all the courage I can get.

So here I am being honest with myself. Up until this experience, I would charge fearlessly into the forests with a near reckless abandon, certain that no harm would befall me or my loved ones. Not anymore! I have since been put in my place.

Deep breath.

While researching Mihara City's Mt. Shirataki (of which you can read about here), I learned of this other, more famous mountain of the same name on Innoshima Island, known for its parade of jizo statues (Gohyaku rakkan) and a commanding view of the Seto Inland Sea. Hubby agreed this would make a fine day trip, looking back fondly on our other thrilling mountain hikes over the past spring. He was pleased to have a definite destination for this particular trip. (Normally we would wing it and simply go where the roads led).

More spooky than serene...
Once on the island of Innoshima, we followed the clearly-marked signs to Mt. Shirataki from the main highway and parked in front of a huge mural painting of Buddha near the trail entrance. Songstress wagtails and blue rock thrushes struggled to get a word in edgewise between the relentless barking of carrion crows. The heat wasn't terrible at 31C, despite it being the warmest day of the year. A cool, dry breeze caressed my grateful skin, pushing the corners of my mouth up into an easy grin of anticipation. From the base, Mt. Shirataki is a good 227 meters high but it's only a leisurely 20-minute climb from our parking lot to the Kannon Hall, a place of prayer built by pirates who controlled these islands hundreds of years ago. Twenty minutes was no big deal. We figured we could do it without water.

Trail leading to the Gohyaku rakkan, a collection of hundreds of Buddha statues carved by the same guy. Though the name means "500 Buddhas," the count is closer to 700.
Before climbing anything though, I made sure to anoint myself with a nice, toxic mix of SPF-30 sunblock and deet-based mosquito dope. Confident that I would be bug-free on this trip, I joyfully grabbed Ol' Green (my trusty bamboo walking stick) and eagerly followed Hubby into the bushes, thrilled at the sudden drop in temperature. I found myself wrapped in a refreshing veil of mist and darkness from the tree canopy overhead, shielded away with the ferns, safe from a jealous sun.

A picture-perfect iris greets me five steps into the trail. :-)
Our trail was an aging, uneven series of granite slabs of varying pitch, but was easily climbable thanks to the addition of sturdy (albeit rusted) metal handrails going all the way up the mountain. Mammoth overhangs of bald, peach-colored stone loomed over us, edged with dark scraggly pines and junipers.


As my husband turned a corner around a towering wall of stone, I paused for a moment in the bright sunlight to soak in the view of the sea behind me...

My view of the Seto Inland Sea from halfway up the trail.
It was at that moment that I felt a sudden woosh in front of me, making me look up. It was a Vespa mandarinia japonica (Japanese giant hornet), as large as my pinky finger, busy scouting for food. Since we see these insects all the time here in Japan, I thought nothing of it, though I was surprised to see one this early in the year. (They're most active from late spring until the first killing frost of November). Giant hornets usually mind their own business, and I was pretty confident that I posed no threat to it. Following it with my eyes cautiously for a moment, I felt reassured of my personal safety and continued my climb unfazed.

The final approach to Kannon-do.
Nearing the top, we strained and pulled on hot, mottled handrails, hoisting ourselves up the last leg of this narrow, dizzying stairwell. My quadriceps smarted in protest as I stumbled through the aged, simply-carved wooden gate of the 430 year-old Kannon-do hall, panting and dripping sweat. The view was worth the exertion!

Looking down from the Sanmon gate.
Fortunately for us, Hubby spotted a still-open kiosk near the temple entrance. They were out of water but he was able to secure one tiny box each of grape and orange juice. We quickly sucked our boxes dry through tiny plastic straws, savoring the view from the wooden platform more than our drinks!

The recently-built viewing platform, overlooking the Seto Inland Sea. No shoes allowed on the wooden deck!

The ancient Kannon Hall. It was just about to close when we arrived there around 4:00pm.
"Can we go back down, now?" Hubby asked.

"Not yet. There's supposed to be a 360-degree panorama spot near here," I whispered between labored gasps. "We need to find it." I had a particular shot in my mind I wanted to take. You know, the kind of angle you'd see in a travel magazine but know you could do better. The clear contrasts of "the golden hour" were working for me, this evening. I wouldn't leave the mountain until I got my shot. (That's just how I am).

We casually followed a crestfallen man in his early forties to the back of the temple behind a crumbling plaster wall as countless Buddhas looked on from every nook and cranny. Sitting on the ground in an outhouse-shaped closet was a simple piece of whitish granite somewhat in the shape of a human torso, slightly smoothed on the corners, looking quite plain. Apparently, this was the Lover's Rock (koishi-iwa 恋し岩), a magical stone containing a mysterious Picasso-esque engraving of two lovers kissing. According to the explanation taped unceremoniously to the wall, should you pray with all your heart to this stone, your true love will find you and bring you long-lasting happiness. The lonely guy, obviously in need of companionship, reverently dropped a few coins into the tiny wooden offering box provided, prayed solemnly to the stone and stepped onward, avoiding all eye contact with us. We both nodded in understanding. It's a cold, hard world out there!

It was finally our turn to see what the fuss was all about. We both stood there staring hard at that rock for too long a time, neither of us able to see the definite outline. (Perhaps the visual trick stops working after you get married?) Hubby gave up in frustration and shuffled off first, but I lingered there a while longer, intent on making out a form. The pink and white hues of this impressive chunk of granite reminded me of cherry blossoms and torii gates more than anything, which was plenty for me, I suppose.

Nope. Can't see it.

Nope. Still don't see... wait a minute...! Is that Yule Brenner?
Finding ever more signs for the Gohyaku rakkan, we seemed to be getting closer to our destination. There was no choice but to keep going up. We still had a ways to go from here.


"I found it!" the Hubby exclaimed in victory, disappearing behind a wall of weather-worn Buddhas of various age, height and style. As usual, I took my time, snapping photos and relishing in the familiar earthy, oily stink of antiquity all around me. These statues dated back to the Edo period, well over a hundred years old!


"It's beautiful up here! You're gonna love it! Hurry up!" Hubby beamed from the recently-constructed cagelike platform, smiling wide and radiant like he always does when wowed by nature.


And then I felt it again: another whoosh! followed by a menacing low-pitched hum. A giant hornet had made a complete pass around me, this time circling me, surveying me. It made a second pass. And then a third. I knew about this creature's lethality from fear-factory TV shows designed to keep old ladies like me scared, home-bound and consuming. But all the years I've been hiking around Japan, I've never once heard a real-life story of anyone being stung by one without provocation. Usually these Vienna sausages with wings stick to their jobs of securing food and shelter, and little else. Would I be the first to be stung out of spite?

O-suzumebachi (Japanese giant hornet). Photo Credit: t-mizo via Flickr, a Creative Commons image.
Immediately, I cleared my mind of all thoughts of fear, consciously putting into practice what I'd learned in yoga class: filling my body with calming breath, relaxing the muscles, lowering the heartbeat, focusing on nothing but still, placid ocean water...

Bzzzzzzzzzz! (Damn it!!

The bone-rattling unnerving hum of burnt-orange papery wings, vibrating hard and noisy like an old National Panasonic rotary fan stuck on the lowest setting, drew itself in to me, closer and closer, breaking my concentration. The massive hornet lingered by my right hand, no doubt smelling the sticky grape juice smeared on my fingers. It then floated up to hover within five inches in front of my face, daring me, just daring me to swat at it, me the unwilling partner of an impromptu staring contest in which the penalty for losing was possibly death. It was so close, I could see its twig-like jagged legs, extending towards me and relaxing, as if debating whether or not to land on my nose (or crawl up in it). Its tangerine lozenge-like head jerked and flicked from side-to-side in quick 15-degree angle movements, robotic, emotionless. The fine hairs on my nose could easily feel the wind from its wingbeat. This is it, I thought. This is how I'm going to leave this earth.

"Go away, please," I whispered in English through clenched teeth, without moving my lips. It was more of a prayer than a command, for I sensed an element of the Divine in this formidable creature. It just hovered there between my eyes as beads of sweat rained from the pores of my whitening forehead, dripping onto my chest. The hornet seemed to remind me that death was always beside me, no matter how many times I might outsmart or avoid it. He would always be there, and it was time to count my blessings, pronto.

A force stronger than my instincts had riveted my hands down to my sides, preventing any attempt at swatting at this flying syringe of death. But I couldn't take this torture much longer, as bright shimmering white stars streaked on and off like fireflies in my head -emergency flares signaling a fainting spell was coming on.

Suddenly, I heard my own voice in my head:

Move forward now, slowly.

I found that my legs could move, but with some resistance. I gingerly stretched out one leg before me, the hornet moving backwards in step; we were locked in a deadly tango, a pas de deux. I then moved my left foot and pressed my torso forward, steadily. And with that, the hornet backed up quickly out of my personal space and zoomed off, replacing me with butterflies for hands and stomach. Standing there completely stunned, it took my brain a few moments to comprehend that the danger had passed, before the violent, involuntary shaking set in.

My feet flew me straight up the light blue metal viewing platform to where Hubby stood oblivious to my plight, taking photos of the seascape. Realizing that I'd been traumatized, he asked me if I was okay. On the verge of hyperventilation, I frantically recounted my story, tears streaming down my face without my permission. My hands and arms trembled uncontrollably for another twenty minutes (no exaggeration) as I coached myself through a healing round of Pranayama breathing (a technique I often use for pain management). My husband coached me to breathe in a controlled rhythm and it finally worked, my shock melting into the opposite emotion of extreme euphoria. What a trip this had been!

Sundown and Swifts on Mt. Shirataki (c) 2014 Genkilee, Gen. All Rights Reserved.
I stood there silently beside him, thankful we could behold this stunning scenery together, as swifts (related to swallows) dipped and dive-bombed for mosquitoes (and hopefully hornets) in the early evening breeze. Like the boy in the Grimm tale who "went forth to learn fear," I learned how to shudder for the first time in my life. Every lifeform is a teacher. Neither good nor evil, like me, we simply are, until the moment we all breathe our last. That hornet would be long dead by winter while I, with any luck, would keep on living. I had a lesson to learn about its passion, curiosity and fury for life. There on that crumbling, desolate island mountaintop, with no access to a hospital or helipad space for a medivac, I could have easily met a very painful end. But that hornet left me with the sacred gifts of humility and gratitude: I learned that I should humbly admit to myself my own fear of pain and death, for it's part of my survival instinct and nothing to be ashamed of. And of course, I was reminded yet again that every second of life is to be treasured. The carver of all these statues was reputedly inspired by a near-death incident. Perhaps a hornet delivered to him the very same message -and the same inspiration.

Turning around to face the path that brought me to this moment, I found it: the shot I was after. Had things gone awry just minutes before, this photo wouldn't have happened.

Mt. Shirataki. (c) 2014 Genkilee, Gen. All Rights Reserved.
"I'm glad you went through that and not me," Hubby chuckled. "I would've swatted at it and probably died." (That was his way of saying I was the braver one. As sweet a compliment as it is, I gravely disagree. Fear rendered my arms completely useless, not courage). But his straightforward Korean humor made me drop all seriousness and erupt into a hearty, cathartic guffaw of release, anyway. And boy, did that feel good! 

But what a beautiful place to die, surrounded by symbols of deliverance and grace! Like that rocky river valley in Shiga where Hubby and I nearly met our ends, the top of Mt. Shirataki now stands another holy place in my life. But as the saying goes for Mt. Fuji, "the wise climb once. Fools climb twice." Just one climb up this mountain was quite enough for moi. (And if we ever climb another mountain in this country, we'll be sure to bring water and not juice).

(Update: I've since encountered these hornets five times this summer. All were too busy buzzing around to pay me any attention, but fall is coming and they tend to snoop around more aggressively as they get desperate for food. Do be careful out there).

Mt. Shirataki Information: 
Open Hours: Open 365 days a year, 24/7.
Transportation Access:
Parking: Several free parking lots exist on the mountain at several spots from the Flower Center.
Access By Car: Exit the Shimanami Kaido on Innoshima and get onto Route 317. On the west side of the island, this highway eventually turns onto Route 366. Follow the signs to the Flower Center and even more signs to Mt. Shirataki (Shiratakiyama 白滝山).
Access By Ferry:  This link provides a ferry timetable and a map in English.
Admission Fee: Free. Note that anything touristy on this island seems to close around 4:00pm, however.
Available Facilities: Public restroom, drink kiosk, brochures, emergency phone and Buddhist temple services are available. The Kannon Hall (Kannon-do 観音堂) is often open to tourists as well.
Other Points of Interest in the Area: Innoshima Flower Center, Innoshima O-hashi bridge, Centennial Beach, Innoshima Suigun Castle, various temples and shrines.
Handy Information For Hikers In Japanese Giant Hornet Territory: 
Habitat And Behavior:
Vespa mandarinia japonica, a subspecies of the Asian giant hornet, can be found all over Japan, in both cities and the countryside. But according to my observations, they seem to have a preference for mountain forests and old abandoned houses -rural locations where they can secure food and shelter more easily. The scout bees usually fly alone, hunting for food from morning until dusk (fruit, insects, other bees, etc). They can also be spotted on the sides of old wooden buildings, bridges, fences, wood pilings and tree trunks, stripping and digesting wood pulp for building their massive paper hives. The hornets sometimes fly to a sandy beach or rocky cliffside to lap up minerals like many insects have to for survival. Like most Hymenoptera, Japanese giant hornets are otherwise too busy to go around harrassing humans. (I know it's fashionable on the web now to write sensationalist articles about how terrible and scary these insects are {okay, they are pretty damned scary}. But in reality, they're much more focused on their own personal survival than picking fights with people). Most attacks happen because the hornet or hive was already disturbed or threatened, the victim smelled or looked like food, or inadvertently did something to provoke an attack.
We've noticed that these hornets are attracted to red and black-colored cars more than white or silver ones, especially while parking. The heat and loud engine hum certainly stimulates them when we park in wooded areas and mountainsides. If we notice more than one giant hornet hovering around our car, we've made it a habit to just assume we're near a hive and re-park where there aren't any.
What To Wear: Think like a beekeeper. Calming, solid colors less likely to aggravate a giant hornet include white, khaki, olive, light browns, off-white, muted greens -neutral forest tones. Colors to avoid include BLACK, dark blue, orange, red, purple, etc. Also try to avoid loud patterns, especially floral. If you have black hair, be sure to cover it with a white or off-white hat, bandana or towel.
What To Avoid At All Costs: Juice (grape juice and fresh fruit like berries and oranges are giant hornet magnets!), sweet perfumes and colognes, strong deodorants and body odor. Also avoid hiking while intoxicated. The scent of alcohol can also attract them. If sweat is an issue, use a fragrance-free anti-perspirant. Many shampoos and hair products (like hairspray and styling gel) also contain strong perfumes that can attract all manor of stinging and biting pests. (This informative report illustrates how Vespa mandarinia were caught using a mix of orange juice and alcohol). Avoid hiking alone in Japan at all costs. Use the buddy system and common sense!
Ever More Things To Avoid: Avoid hiking in regions with no phone signal. (You'd be surprised how off the grid much of Japan still is!) Avoid wooden pilings, old rickety bridges and especially unearthed tree root systems (hornets often live under these places). Never stray off the trail. Keep an eye out for round holes under trail steps (they could be hive entrances or snake burrows). If a giant hornet selects you for inspection, DON'T RUN OR SWAT! Your sudden motion will only stimulate its fight mechanism (which is faster than your flight mechanism). It will most likely realize you have no food or shelter to offer and fly off (this is according to Japanese common sense, not fact. There are no guarantees in life). Avoid screaming or making loud noises in the forest, especially if you encounter a hornet or hive. If you see two or more giant hornets in the same area, please consider turning back the way you came.
Still More Warnings: According to this Japananese site, if an enemy approaches a giant hornet hive, they will click their jaws and chatter an eerie kachi-kachi sound in unison as a warning. If you value your life and hate the idea of anaphylactic shock and flesh-eating acid melting bloody, bullet hole-size welts into your skin, heed this warning by slowly backing away into the opposite direction of the sound, or just head back to your car and consider yourself lucky. Japanese giant hornets are the most lethal creatures in Japan (next to humans, that is). Best to leave them alone as much as is humanly possible.
Should You Get Stung:  Call 119 immediately if possible. If you're somewhere without a phone signal (very common in the mountains of Japan), try to squeeze (not suck!) as much poison out of the wound as possible and seek immediate medical treatment any way you can. We make it a point never to hike where we don't have a phone signal. Most healthy people without bee venom allergies survive giant hornet stings the first time around. (It's the second time that tends to be lethal).
DISCLAIMER: The author of this blog post is in no way claiming to be an expert on Japanese giant hornet behavior, sting prevention or treatment. The author of this blog post shall bear no responsibility should a reader suffer any trauma, injury, or death. Readers who hike in Japan do so completely at their own risk.

Copyright 2014 Genkilee, Gen. All rights reserved. No part of this blog (written or photo content) may be reproduced or reprinted without the expressed permission of the author.












Tuesday, May 6, 2014

For the Love of Mom (Kosanji Temple, Setoda, Hiroshima)

広島県尾道市瀬戸田町:耕三寺、未来心の丘
Kosanji Temple & Miraishin no Oka, Setoda Town, Onomichi City, Hiroshima Prefecture

(BGM: "Amma Endru" by K. J. Yesudas)

Mother's Day is approaching! :-)
Usually I'd be depressed about it. The best I seem to do for my Mom every year is a free internet chat session. She deserves WAY more. Like, WAY!

But this year, I'm a daughter with a mission! 

Ever since she told me she's thinking about visiting me out here again, I've been on the lookout for extraordinary, unusual places to show her. You know, the kind of sights that would make a woman go "WOW!" Hubby hinted that he'd show me something completely new this Golden Week, and I was stoked at the prospect of a rip-roaring feature for her itinerary!

"So, where are we going today?" I asked the Hubby. Perhaps day camping at our local park? Or a picnic on the beach? Hiking in the mountains just down the road? We had many free options to choose from.

"Setoda," he said flatly.

Setoda?  My heart skipped a beat. The last time we traveled to Setoda, we didn't do more than beach comb and eat a package of convenience store soba noodles. There were some famous places I asked him to take us, but he showed zero interest in them. So I was surprised when Hubby said we'd be going there again for our Golden Week day trip.

A sweet motherly pilgrim jizo softens the hellish entrance to the "Cave of 1,000 Buddhas"
He told me he wanted to take me where I originally wanted to go! Hooray! I couldn't have been happier. After our first trip there, a co-worker had told me about Setoda's "path to Hell," lined with demons and "countless Buddhas." A fan of the macabre, the old goth in me was curious, but I didn't think my man would go for that kind of thing. Luckily, Setoda was also known for a temple so beautiful that it rivaled Nikko's Toshogu Shrine in Tochigi Prefecture. We both had seen the real Toshogu while we lived in Kanto, so we were ready to be wowed, though slightly skeptical.

While waiting in our car at Sunami Port to board the blaring pink ferry to Setoda, we talked with a retired pensioner couple crossing the country in their makeshift minivan camper. Arms folded, the driver with a dapper comb-over beamed with pride as we complimented him on his craftsmanship. His ruddy-cheeked wife shared with us stories of how they'd traveled everywhere from Hokkaido to Kyushu in comfort, utilizing hot springs and coin laundries for their basic washing needs. I noticed my husband's eyes glittering like they do when he's hungry. Were we looking at our future? We were used to close quarters, so the idea wasn't that far-fetched.

Hmm. We could do that! :-)
When the ferryman signaled the "okay" to have us board, we wished the friendly couple good luck and drove up the ramp onto the flaming pink boat bound for Ikuchi Island (生口島). 

The Yassa Mossa ferry from Sunami, Mihara to Setoda Port.
The boat carried us easily over the peaceful, crystal blue Seto Inland Sea towards our destination. The water was calm and waveless as usual. Ferries and small fishing boats of different colors bound for other nearby islands sped past us, leaving us in their mild wake. A few elementary school boys waved at me from the green ferry on their way to Omishima Island.

Mother and child enjoying their cruise to Ikuchi Island.
After a quick 25 minutes of savoring the cool ocean breeze, it was time to squeeze back into our tightly-parked car as the ferry made its landfall. Only the first two seconds of Setoda looked industrial. We drove by a small shipyard and a tidy, well-pruned subdivision to find ourselves already on the main strip of the town. The mood around the temple was relaxed and casual. You could tell that this island ran on its own time. The parking lots directly beside the temple were already full, but a friendly parking assistant directed us towards a free open space beside an abandoned dilapidated hotel, only a 3-minute walk from the gaudy front gates of Kosanji Temple.

耕三寺 Kosanji Temple

The crazy-colorful gates to Kosanji Temple.
Upon first glance, we were blown away. The paint looked too vibrant and fresh for such a heralded temple that housed 15 nationally registered cultural properties! The detail surrounding us was so intense we had no way of focusing on a single point! Where the heck were we? Did we accidentally take the boat to China? No way did this look like a standard Japanese Pure Land Sect temple!

A strikingly elaborate Avalokitesvara (bodhisattva of compassion).
The buildings, though drop-dead gorgeous, lacked the telltale musty reek of oily, earthy antiquity that usually graced the crumbling clay walls of ancient places of worship. This whole complex screamed of modernity and kitsch, yet in my mind, that's what made it fun. We recognized elements all too similar to places we'd seen throughout our travels, but the colors and patterns were much more splendid here at Kosanji.

Wait a minute! The Phoenix Hall of Byodo-In is in Uji, Kyoto, not some remote island in Hiroshima!
Once through the main gate, Hubby and I each went in different directions to cover both sides of the complex. Over the past thirteen years, I've seen more shrines, temples and mausoleums than I could possibly count. Wandering aimlessly, eyes stunned in perpetual wonder, a deluge of memories of my favorite trips flooded back to me in a rush as I kept seeing familiar shapes and lines. It was overwhelming to say the least. But I enjoyed every second of it. I couldn't help but imagine all the effort, manpower and creative energy it took to bring these works of art from conception to reality!

Nikko's Yomeimon Gate? Nope! Kosanji Temple in Setoda!
I relished every waft of fragrant sandalwood incense, every deep, penetrating sustain of the temple gong as I plodded reverently down the smooth tiled path. Swallows dipped and dove overhead as my gaze got lost in the sea of colors and designs surrounding me. Every inch of space was covered in painstaking detail: a writhing, twirling dragon here, a triumphant phoenix there, and countless renditions of angels, saints and bodhisattvas on every pillar and wall. A closer look revealed that they were all replicas! The paint was fairly recent but had been scratched on purpose for an aging effect. Not historically significant by any means, but awe-inspiring, nonetheless. But exactly what kind of Buddhist priest would spend so much money making replicas? This was no ordinary priest from the Pure Land Sect!

Ceiling dragon reminiscent of Kyoto's Kennin-ji.
A quick glance at the Kosanji website gave me all the answers I so desperately craved. Kosanji Temple was built by Osaka steel tycoon-turned monk Kanemoto Kozo. After the passing of his dear mother, he traded his business suit for a monk's robes, purchased a temple from Kyoto's Nishi Honganji and spent his fortunes building in her honor this dazzling collection of remarkably accurate replicas of Japan's most famous holy landmarks and artifacts, sometimes adding his own personal "improvements" and embellishments to the design. (The temple complex was built up around her summer residence known as Choseikaku). He started construction in 1935 and it took three decades to complete. His mother was laid to rest in the 5-story pagoda that towers over the temple.

Nara? Tokyo? Nope! Still Hiroshima!
Dumbfounded by this otherworldly display of love for a mother, I found myself thinking about how much my own Mom would love to see this, and how I wished I could create for her something just as magnificent.



We arrived on the island just before 2pm and only had a few more hours before the grounds closed, so sadly, we had to cut a few buildings from the day's itinerary. Reuniting in front of the pagoda, Hubby and I collected our thoughts with a drink in the wisteria courtyard and set out again following the signs up the hill to the legendary Miraishin no Oka (Hill of Hope), a fantasy land of shimmering white marble.

Wisteria adds a needed splash of living, natural color to a building near the Phoenix Hall.
 The trail wound up and around a jizo-studded hill to end abruptly at an uninspired gray concrete building housing an elevator and a flight of stairs. We opted for the elevator that opened up into...ITALY?!!

未来心の丘 Miraishin no Oka, Hill of Hope

Kosanji, the only Japanese temple with its own Italian restaurant. It even serves wine, a Buddhist no-no! (Gasp!)
Fragrant jasmine perfumes the base of the Hill of Hope.
Could this place get any more random? I found it utterly futile trying to analyze it all. Instead, I opted for the Buddhist technique of simply observing without judgment and found it much easier to enjoy the alien surroundings that way.

The front view of Cafe Cuore, serving pizza and other fine Italian fare.

Monolithic sculptures in solid marble by artist Kuetani Kazuto atop Miraishin no Oka.
Just as I'd hoped, Hubby's eyes sparkled with artistic inspiration, once again. His face broke into a wide, relaxed smile as he sank down into one of the many gently rounded marble chairs and took in the view, savoring his canned coffee with perfect contentment. The stone was soft to the touch, almost velvety. I felt instantly at home, as if I were back skiing on the pristine white snowfields of Fairbanks, Alaska. Fashionable tourists posed like models on a catwalk, taking pictures of each other among the glittering stone slabs. We enjoyed taking a few snapshots for and with them. The magic of the place had changed us all into children, again.

View of the Seto Inland Sea from the Tower of Light.
Miraishin no Oka, completed in 2000, is the masterpiece of world-famous Hiroshima sculptor Kuetani Kazuo, whose work graces the Vatican in Italy where he now resides. It took over 5,000 square meters of marble, cut and shipped from Carrara, Italy to cover this entire hill. Though non-religious in nature, this sculpture garden with its marble pizzaria can only be accessed by paying the 1200-yen entry fee at the temple gate. (Is the food sanctified? Sorry. Just had to ask).

Friends taking in the view together under the famous "Tower of Light."
The ambiance was plenty relaxing, but no matter how much I tried to shut out the questions, I couldn't for the life of me stop wondering what would drive a famous artist to cover an entire temple mountaintop in pure marble, with almost no greenery save for the few olive trees and jasmine shrubs at the base. Though the website states that Kuetani took into consideration the lay of the land and sea, attempting to "balance" his art with the surrounding environment, the overall effect is anything but! (It looks more like Superman's Fortress of Solitude if you ask moi).  Most of the sculptures are vertical and, dare I say, a wee bit phallic. Did Kuetani feel the need to contrast all that feminine energy down below with masculine power from up above? Did he feel moved by the story of Kanemoto Kozo's mother and try to harness the power of the sun to help direct her departed soul to Paradise? Or did he think that Setoda lacked enough decent tourist attractions?


Resigned to the fact that I may never know the answers to such questions, I followed Hubby back down towards the temple before the sun reflecting off of all that marble had a chance to burn my unprotected skin. As I started making my way towards the main gate, Hubby noticed a small pagoda to his left.

"It says there's a sort of hell valley over there." He'd found it! It was here all along!

"Are you interested?" I asked him.

"Nope," he answered curtly.

"Well, I am," I said. "I'll be right back. Meet me at the wisteria."

I knew he'd feel strange if he passed up this opportunity for weirdness, and grinned as he positioned himself ahead of me like the great Protector he is, leading me into the cave.


千仏洞地獄峡, Senbutsudou, Cave of a Thousand Buddhas/Hell Valley



Completed in 1969 and taking nine whole years to construct, this artificial ferroconcrete cave plunges 15 meters down and stretches out 350 meters underneath the upper Kosanji temple complex. The rough, porous stone lining the walls and ceiling of the cave is actual igneous rock brought in from Mt. Fuji and recently active Mt. Asama volcanoes. Right away there's a feeling of mystery as the temperature suddenly drops and the sound of running water echoes throughout the descending tunnel.

Flung by a demon into a lake of fire; not quite the way I'd wanna go...
I expected life-size statues of horrible creatures doing horrible things to poor helpless people. But I was relieved to find the displays of "hell" a digestible collection of some twenty-odd brightly painted reliefs that dotted only the first fifty paces of the walls. The farther down into the tunnel we walked, the less gruesome the images became, some looking about as scary as African safari feeding scenes (not that shocking by today's standards).


 A few more corner turns and the tunnel opened up into a series of stone lanterns and stairs. The sound of running water grew undeniably louder as we approached the first of three tiny concrete bridges. Following the waterfall up with our eyes, lo and behold, hundreds of bodhisattvas sat tucked into each available crevice of the cave, spiraling all the way up to the ceiling. The effect was dizzying!


 The cave spiraled up and down again, opening to two more grottoes of stone, water and light, each more splendid than the last. It was here at the final grotto where I lost my footing and clutched a chunk of lava rock, scraping up my ring finger into a bloody pulp. Hell had given me a warning to take with me back to the land of the living. (The obvious message: imported lava rock is quite jagged, so try not to touch it!) Unfortunately, no merciful bodhisattva appeared to magically heal my bleeding finger. I guess they don't work that way.

The walls bite, so be careful! 
The cave opened up into a room with a roundabout display of folded painted screens depicting the saving power of Buddha. And with a final ascent up station-like concrete stairs, we were out again into the world of warm spring air, green trees, fragrant temple incense- and a towering statue of Kannon, the androgynous bodhisattva of mercy. (It's funny, but I was more startled at the sight of this statue than by any of the demonic visions inside the cave. Oops!)

Just in case you forgot, here's a really huge statue to remind you.
Weary of the conflicting but somehow globally consistent mix of worldly extravagance and religious symbolism, we knew it was time to get the hell out of this rich man's vision of paradise. The desperation in the design made us long for the aging, natural woods and quietness of classic Zen Buddhist temples like Buttsuji in Mihara. Hubby and I both smiled at the irony: nature had spoiled us by her simplicity, not the materialistic trappings of man.

Taking one last look around this incredible collection of replicas, I couldn't help but wonder if the founder of Kosanji was a happy man. All this lavishness and expense; were all his efforts a labor of love, sorrow or guilt? Too bad his mother never got the chance to see this astounding memorial built in her honor while she was alive. But what a treasure for posterity! My own mother taught me that money can't buy love and she's absolutely right.

But it can certainly buy a good day trip! I think we found a winner!

(Happy Mother's Day, Mom!) :-) 


Kosanji Temple Information: 

Open Hours: 9:00am to 4:30pm.
Holidays: (Open 365 days a year).
Transportation Access:
(By Car): From Sunami Port in Mihara City, you can drive your car onto the ferry bound for Setoda Port, a 25-minute trip down the Seto Inland Sea. (Automobile and passenger fees apply). Otherwise you can access Setoda Town by the Shimanami Kaido from either Onomichi City in Hiroshima (via Innoshima Island) or Imabari in Shikoku (toll road fees may apply). 
(On Foot): It's a 15-minute walk from Setoda Ferry Terminal to Kosanji Temple.
Parking: Free parking available in designated spots around the temple complex. 
Address: 553-2 Setoda, Setoda-cho, Onomichi-shi, Hiroshima Ken, 722-2411
Admission Fee: 1,200 yen for adults: includes access to Miraishin no Oka, Senbutsudo Cave, Choseikaku (Kanemoto's mother's summer home not featured in this blog), the Kosanji Museum (across the highway from the temple) and all buildings and structures within the Kosanji complex unless otherwise indicated.
Available Facilities: Public restrooms, drink machines, Italian cafe, temple museum, art gallery, Buddhist paraphernalia available for giving alms.
Insider's Tip: Don't touch the cave walls. Seriously.

Copyright 2014 Genkilee, Gen. All rights reserved. No part of this blog (written or photo content) may be reproduced or reprinted without the expressed permission of the author.